Perhaps the most famous S&P composition for this hymn, this setting was written by David Aaron de Sola, Hazan at Bevis Marks in the mid-nineteenth century. It first appears in his 1857 volume of Sephardi Melodies. It is usually reserved for Festivals and special occasions.
In this setting the congregation sings the middle stanzas, but the first and last are sung only by the Hazan, with the congregation coming in again for the repeat of the final words “Adonai li velo ira”.
This recording was released in 1951, and features the congregational choir under the direction of Jacob Hadida. The soloist is the late Abraham Beniso, then Assistant Hazan of the Congregation.
This setting is actually based on the melody for the Shabbat table song Yoducha Ra’yonai. It is sung here by the late Abraham Beniso in a concert recording from 1975.