The service continues with the reading of the Torah. The Hazan announces the Mitsvot that will be allocated during the reading, and then sings “Kohanecha” on page 110.
⠀⠀⠀⠀
On special Shabbatot, the congregation singsthe verse Ba’abur David:
After the reading of the Maftir portion (and also after the reading of the Mashlim portion if more that one Torah scroll is taken out) the Kaddish Le’ela is read, after which the congregation sing Adonai Elohim Tsebaot as the scroll is lifted off the lectern:
The Haftarah is then read. The congregation sings the last few words of the portion, and continues with Goalenu, after which the same section is repeated by the reader:
After the blessings following the Haftarah, the minister recites Hashcabot for the following week, and then all stand for the Prayers for the Royal Family, State of Israel and the Congregation (pp. 112-3), with responses as follows:
On Shabbat Mebarachin, the blessing for the coming month is read.
⠀⠀⠀⠀
The next section of the service leads up to the Torah being replaced into the Hechal. The Hazan reads Ashre (p. 114), with the congregation coming in for the three verses “Ashre yoshebe betecha”, “Tob Adonai lakol” and “Poteach et yadecha”:
On special Shabbatot, the congregation may sing Tehillat Adonai yedaber pi at the end of the Psalm. Otherwise the Hazan reads straight through this text.
⠀⠀⠀⠀
After Ashre, a selection of biblical verses are read. When the Hazan reaches the words before Lema’an da’at (p. 115), the congregation rise and sing the verse as the Torah scroll is brought forward to the lectern:
Yimloch – Traditional Another recording, from the CD “A Sephardi Celebration”, 2004.
⠀⠀⠀⠀
The second was written by Wasserzug, an Ashkenazi Hazan practicing in England in the mid-nineteenth century, but is has become commonplace in our synagogues:
The alternative is known as the “Continental” melody, due to its being ubiquitous in Sephardic communities right across the continent of Europe. It was introduced into our repertoire in the mid-twentieth century:
Once the Torah has been returned to the Hechal, the Hazan sings “Shubah Lim’onach” (p. 116), and the congregation sings the final verse of this passage – Hashibenu – to one of three melodies.
⠀⠀⠀⠀
The most common, which is considered traditional to the congregation, was in fact composed by E. Hart of the West London Synagogue: